She used to confide her domestic problems in me.
Though it is widely alleged that Lata ousted Geeta Dutt, but she once commented in an interview that they were close friends. She has often been accused of rendering other female singers of the era jobless. Though at the peak of her career she was enjoying unmatched success, it was alleged that she would often get insecure by new talent. They say the wind blows hardest at the top of the mountain. She created history by singing thousands of songs over decades. All this made no appreciable difference to her career. She also broke her ties with composer S D Burman for three or four years after he allegedly took credit for building her career. She stopped singing with Mohammed Rafi for several years in the mid-60s over the contentious issue of royalty payment to playback singers. When Rasik Balma ( Chori-Chori) won the Filmfare Award for best song, Lata refused to sing it live in protest of no female playback category. She waged battle with such important people as Raj Kapoor and Shankar Jaikishen over the vulgarity in the Main kya karoon Ram number from Sangam. Her unbroken record of hit songs made Lata the most powerful woman in the film industry. Even after regaining consciousness, the first thing Lata wanted to do was to make another attempt at the song. After 18 takes, she fainted in the recording room. Her perennial search for perfection was more than evident at the Amar recording, where she repeatedly tried to get a particular murki of the song Tere sadke balam right.
Hiring a tutor, Lata perfected the language. This determination was on display right from her Andaaz days when Dilip Kumar questioned her Urdu and called it daal-chaawal. Her early style of singing was reminiscent of Noorjehan but Lata determinedly overcame the influence to maintain a recognisable personal signature in all her songs. Lata’s high pitched singing rendered obsolete the base, heavy voices of Amirbai Karnataki and Samshad Begum. With these three films, Lata soared to the pinnacle of success. Barsaat and Mahal were released in the same year. The next year saw Naushad making Lata vocalise seminal Andaaz songs like Uthaye ja unke sitam. Her first attempt at playback singing in Hindi films, Aap ki Seva Mein (1947), went unnoticed but the scrawny Maharashtrian girl with two oily plaits continued her concentrated efforts to make her mark.ĭefying producer S Mukherji’s damning edict that her voice was too thin, prodigal composer Ghulam Haider gave Lata her breakthrough with the Majboor (1948) song, Dil mera toda. From 1942 to 1948, the economic necessities dictated that Lata act in as many as eight films in Hindi and Marathi. She made her debut as a playback singer in the Marathi film, Kiti Hasaal (1942) but her song was edited out of the film. Within eight days of her beloved father’s death, a dry-eyed Lata had donned make-up to act in the Marathi film, Pahili Mangalagaur (1942). Thirteen-year-old Lata was now in charge of providing for her impecunious family. Her happy childhood, spent imbibing musical knowledge from her father, was rudely interrupted when he died in 1942. Lata was born the eldest child of a Gujarati mother and a Marathi stage actor-singer father, Dinnanath Mangeshkar.
Today on the legend’s 92nd birthday we revisit her monumental stature and why her name is used as a touchstone for greatest voice ever.
#Lata hits songs free#
Without her three-octaves spanning, honey-sweet voice on hand, our composers could not have given their musical imagination a free rein.įor whether it is an intricate classical number like Chalte Chalte, a peppermint pronouncement like Didi Tera Devar Deewana, Lata has always rendered her songs with commendable felicity. Lata Mangeshkar is to music what Picasso is to painting. She’s the voice that has seeped into South Asian consciousness and is loved in equal measure around the world. We have included Lata Mangeshkar's all mood of songs like sad songs, love songs by Lata Mangeshkar, or classic songs by Lata Mangeshkar, Romantic songs.What Veer Zaara and Dilwale Dulhaniya Le Jayenge have in common with Mughal-e-Azam, Mother India, Madhumati, Guide and Pakeezah is the contribution of one woman – Lata Mangeshkar. These songs list including Lata Mangeshkar single and Indipop songs to be downloaded free here.
#Lata hits songs movie#
Lata Mangeshkar Songs list is taken from old, classic and new movie and albums.
#Lata hits songs download#
You can download all Hindi Songs by Lata Mangeshkar here on Pagalworld. Pagalworld has collected all songs sung by Lata Mangeshkar till now.
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